Tan Mu

Tan Mu (b. 1991, Shandong, China; lives and works in the United States) is a long-form, research-driven contemporary artist whose practice navigates the hidden architectures that shape our contemporary condition—submarine cable networks, data systems, cosmic perspectives, and the fragmented memory structures of both individuals and societies. Her work constructs a visual language that bridges structure and emotion across both macro and micro scales, emphasizing the themes of connection and continuity that underscore our shared human experience.

Combining traditional oil painting with tools of expanded vision—including microscopes, satellite imagery, and scientific visualization—Tan Mu navigates the liminal space between technological history and personal experience. She views technology as both an extension of the body and an externalization of memory, creating compositions that interweave embryos, neurons, logic circuits, quantum computers, solar farms, data nodes, and celestial bodies. Through this layered imagery, she builds visual bridges between the visible and the invisible, the tactile and the abstract, the systemic and the affective.

Grounded in infrastructure, media geography, technological poetics, and human perception, the series transforms submarine fiber-optic networks into symbolic “digital constellations”—bridging abstraction and representation, emotion and 

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system. Tan Mu’s ongoing Signal series is a sustained artistic investigation into the invisible architectures of global communication.Mu reimagines these hidden infrastructures not merely as technical constructs but as vessels of collective memory and human connection. By fusing planetary systems with individual and cultural histories, Signal creates poetic diagrams of connection and rupture, mapping time, scale, and collective presence. Works from the Signal series have been acquired by major international collections, positioning the project within a global cultural dialogue.

Tan Mu’s ongoing Signal series is a sustained artistic investigation into the invisible architectures of global communication. Grounded in infrastructure, media geography, technological poetics, and human perception, the series transforms submarine fiber-optic networks into symbolic “digital constellations”—bridging abstraction and representation, emotion and system. Mu reimagines these hidden infrastructures not merely as technical constructs but as vessels of collective memory and human connection. By fusing planetary systems with individual and cultural histories, Signal creates poetic diagrams of connection and rupture, mapping time, scale, and collective presence. Works from the Signal series have been acquired by major international collections, positioning the project within a global cultural dialogue.

Artworks

Fairs

  • 2025 WESTBUND ART & DESIGN FAIR

    2025.11.13-11.16